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A Rambling Blog.....That's
what this is... a hodgepodge collection of thoughts connected with
the business of taking outdoor wedding pictures. If you get
bored you can wander away. If you want to read it later you
can
download the whole rambling dissertation as
a PDF file, print it ( but without the pretty pictures)
and read it whenever the time sounds right.
The information on this
page is intended
to help bridal couples planning their weddings to understand a
bit of the technical stuff and non-technical stuff that goes into taking outdoor wedding
photos. There are many things to consider when planning a
wedding, whether indoors or outdoors, and planning for pictures is
just one of them. But I'm a photographer, pictures is what
I know, so the tips I share here are strictly
with outdoor wedding photos in mind. If you have a good
professional photographer, he or she should be able to guide you
in planning your outdoor wedding so that you maximize the
potential for photos.
A couple of years ago I met with a bride who was planning a beach wedding
along the Snake River here in Idaho.
She came to me with some pictures from a bridal magazine of a wedding couple
taken on the California coast. The photos showed a beautiful couple
bathed in glorious soft warm light, walking hand in hand, surf in the
background, with the bride's veil blowing every so gently in the breeze. I took one look at the
shot and I could see how it was created. Off to the sides of this
perfect photo there were perhaps a dozen assistants, positioning
sun shades, gold reflectors, lights, and at least one person
controlling the fan that was creating the perfect breeze.
They probably shot for four hours and out of that effort the
editors chose this one picture.
It is very rare that a
photographer will just happen to encounter perfect conditions like
this. And very few weddings will have the budget or the time
to stage their wedding pictures in this manner, But
with a little effort in planning your wedding you can get
excellent outdoor shots that will make you proud.
First, the most important thing - Relax! It's your wedding day!
You will be beautiful. Your guests will be happy.
Remember that any "great wedding photo" is going to be 90% about
the expression on your face.. If get too nervous about your
wedding, it will show on your face, and even though you and your
groom are perched on the very edge of the Grand Canyon, golden sun
in your face, with the sky ablaze with the color of the setting
sun, the photo will always look kind of FLAT. The human face
is the most important landscape; feel happy - be happy - look
happy!
YOU have questions??
Maybe I have answers - send me an email and I'll see if I can help.
So now some technical
stuff......
Photography is all about light.
Light can be hard or soft and light always has a color to it.
Hard light ( like direct sunlight) makes for very distinct shadows
and is not usually very flattering for portraits. But it can make for
dramatic photos and is sometimes desirable. Soft light, like
the light on a cloudy day or under a tree, makes for soft shadows
and generally better portraits. Wedding photographers
will generally prefer soft light. To the extent that it is
possible, it will be best to have a location
that offers some shade.
Light is generally a little softer
towards the end of the day because the sun is lower and the light
will be dispersed a bit off as it reflects from tiny particles in
the air. This light will also have a warm glow to
it. The hour before sunset is referred to as the "golden
hour" because of the golden quality of the light. If
you are having your wedding ceremony at a location where the sun
can be intense; like on a beach or the green of a golf course, it
will often work best if you schedule it during this golden hour.
The other "golden hour" is at sunrise and it works just as well for
photography, but probably not so well for wedding guests.
It is more difficult to take good
pictures if a part of the picture is very bright and a part is
very dark. An example of this would be a wedding ceremony
with the sun directly behind the bride and groom.. The
camera is not nearly as versatile as the human eye and it will
expose for either the very bright part (the sky - which will make
the couple look very dark) or for the dark part (the couple -
which totally blows out the sky and it looses all color and
texture.) There are many ways to deal with backlight, one of
which is to take silhouette shots, another is to use lots of flash for
the foreground, but these things will take some preparation to get just
right.
The photographer can add light to
the dark part of an image by using flash or positioning reflectors
to bounce sunlight into the scene. In reality however,
wedding photography is so fast paced, that the photographer will
not have the time to do very much with reflectors and will
probably rely more on flash, something that is referred to as
'fill flash" because the photographer will fill in the shadows
with the light from his flash. The downside of using flash
is that it can create 'flat light' which can make the photo look
a bit unnatural; like it was taken with a flash. It takes a
bit of experience to get it right with fill flash; but it can be used
very effectively.
Speckled light is a tough one.
Speckled light is the kind of light that you get when a strong sun
penetrates through light tree cover. With speckled light
some parts of the face
will be in shadow but there will be bright patches of light here
and there. Not much you can do other than to move the
subjects to an area that is more evenly lit, turn them so that
their back gets most of the speckled light ( if you can do that),
or use a filter screen to block the sun. Screens will
require an assistant.
Strong light, right in the face is
never good. For starters it makes people squint and there is
no way you can tell someone to "stop squinting!" It won't
work. If you are forced to photograph people in strong hard
light, it can best be accomplished by having the sun to their back
and the side ( like a 45 degree angle behind them) and then use
fill flash.
The photographer can also remove
light by positioning screens to create shade in speckled light.
Small shades ( sheets of foam board work very well) can sometimes
be used if there is an assistant.
Backgrounds fall into two
categories; backgrounds that add something to the picture and
backgrounds that detract from the picture. A beautiful river
canyon would be a background that would add to the picture.
A park maintenance truck parked on the lawn is something that
would detract from a picture. The proper use or
elimination of backgrounds can be achieved by positioning the
action, the subjects, or the photographer in such a way that
the background is either seen or not seen. To some degree it
can also be controlled by the settings on the camera.
By adjusting the opening on the lens the photographer can keep the
background in focus or blur the background and keep the focus on
the subjects alone. The photographer also has the ability to
take shots wide angle or more narrow when that is best.
Good locations make for good
pictures. You will probably say "duh....no kidding on that one"
But there are good locations hidden away in almost any wedding setting.
If you don't happen to have the north rim of the grand canyon as your
wedding backdrop then you need to find some very nice small settings and
have shots taken much more closely. Some tree branches, some
colorful shrubbery, stonework, natural wood, or interesting architecture
all provide great backdrops for wedding photos. Interesting angles
combined with some very small backdrops can make for very interesting
closely shot photos.
When things start to get really dark
- like one half hour after sunset - a photographer will need to
use flash. This will lighten up the subjects but not the
background. The photographer can adjust the ISO [ film speed
] of his camera to compensate somewhat, but there will be a point
at which it will get too dark and this will no longer work.
In very dark night time conditions, if you are stumbling around because
you can see very well, that's a clear sign that it will be very hard to
get anything by 'deer in the headlights" kind of shots.
Black and white can be used very
effectively outdoors. Some of the problems associated with
lighting problems will be accentuated by the color in an image.
By stripping away the color and going to a black and white photo
you can sometimes create interesting images.
Anything outdoors is pretty much at
the whim of mama nature and you never know for sure what you will
get until the actual minute arrives. These include things
like rain, snow, wind, dust, bugs, extreme heat, unexpected cold,
etc. The camera will catch even small amounts of rain
or snow. Drops of rain will show as little hash marks across
the picture. A little of this can actually make for
interesting pictures but you don't want it in every picture.
If there are a lot of bugs ( little gnats are particularly a
problem) they will show up in the pictures as little out-of-focus
gray blobs. Not very appealing. Finally,
anything that makes people uncomfortable, like extreme heat, cold,
or wind, will show in the expressions on their face.
Planning The single most important thing to
consider with an outdoor wedding is to have a bad weather plan.
There is no way that your perfect wedding will take place exactly
as you envision it if the rain is pouring down. You can
arrange to have tents, choose a park location with a covered
pavilion available, or have a plan to move the wedding to your
reception location if the weather is really bad.
Actually it's reasonable to just make a plan about everything. If
you are nervous, the chances are pretty good that part of the reason is
that you keep going over all the details in your head. Make a plan,
write it down, and then forget about it until your wedding day.
"What to do if it rains?" is just one item on that list.
Don't be obsessed with listing each and every shot you want to have
taken. As a photographer it is helpful when a bridal couple has a
list of the various people to be photographed in group settings.
But I am certainly not a photographer who works well with long lists of
shots to be taken. I feel like if I don't SEE those things as the
wedding unfolds then I'm not much of a photographer.
What about Makeup?
Now, I'm a guy and I would never claim to know very much about the
whole makeup thing but it is certainly fascinating to me that a
whole 50% of humankind more or less accepts the concept of putting
colored lotions and creams on their face so they look beautiful.
And please believe me when I say that most guys think you already
look beautiful! As a photographer I tend to prefer
less makeup on the women I photograph than more makeup.
Heavy makeup can reflect light and create changes in skin color.
The final word on makeup, at least from this photographer, is to
wear what makes you feel comfortable but don't go to excess on the
day of your wedding so you look 'beautiful' in the pictures.
If you have a few blemishes or a skin color issue you might use
some light makeup. I am going to notice blemishes and things
of that sort, with or without the makeup and I can clear them up
so fast in photo editing that you would be amazed.
I once had a bride look at some "before" and "after" pictures on
the computer and she told me "Bottle that and you'll make a
fortune!
Almost Done.....
If you have actually make it this far down the page you are
probably thinking "How in the
world can I possibly arrange my outdoor wedding and get good
pictures?!!" Do a little planning but don't worry
about it. If pictures are really important to you then I
suggest you find a good wedding photography ( and that certainly
DOES NOT MEAN the most expensive wedding photographer) and sit
down with him or her to discuss what you want and where you will
be. If the photographer seems aggravated at all your
questions then you have found the wrong photographer. If the
person seems capable and interested in helping you to get the
pictures that you want, then hire that person and contact him or
her whenever you have a picture related question.
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